Daughters of Lorraine

Daughters of Lorraine@daughters

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Dramaturgy, Black Refusal, and Possibility with Otis Cortez Ramsey-Zoë
S01:E06

Dramaturgy, Black Refusal, and Possibility with Otis Cortez Ramsey-Zoë

For the final episode of the first season of the Daughters of Lorraine Podcast, Jordan Ealey and Leticia Ridley interview dramaturg and director Otis Cortez Ramsey-Zoë about his work in the Washington DC area, as well as his general thoughts about the state of and stakes for Black theatre.

The Ritual of "What to Send Up When it Goes Down"
S01:E05

The Ritual of "What to Send Up When it Goes Down"

Jordan Ealey and Leticia Ridley discuss the transformative power of Aleshea Harris' What to Send Up When it Goes Down by centering Black rage, ritual, and healing on this episode of the Daughters of Lorraine podcast.

Staging Slavery by Black Playwrights
S01:E04

Staging Slavery by Black Playwrights

In this episode of the Daughters of Lorraine Podcast, Jordan Ealey and Leticia Ridley focus on representations of slavery on stage by Black playwrights beginning from the early 19th century to the 1960s.

Riding Along with "Jitney"
S01:E03

Riding Along with "Jitney"

On this episode of the Daughters of Lorraine Podcast, Jordan Ealey and Leticia Ridley review Arena Stage's production of August Wilson’s "Jitney", directed by Black theatre legend, Ruben Santiago-Hudson.

Early Black Feminist Theatre and Lynching Dramas Revisited
S01:E02

Early Black Feminist Theatre and Lynching Dramas Revisited

For this episode of the Daughters of Lorraine Podcast, Jordan Ealey and Leticia Ridley focus on the histories and enduring legacies of lynching dramas, covering early twentieth century history of Black women playwrights using theatre for protest ends, and situating them in Black feminism and Black radical tradition.

A Conversation on Fairview
S01:E01

A Conversation on Fairview

On this first episode of Daughters of Lorraine Podcast, Leticia Ridley and Jordan Ealey discuss Woolly Mammoth's production of Fairview by Jackie Sibbilies Drury, its theoretical and theatrical interventions, as well as situate it in the historical and cultural contexts of Black theatre.